How Long Do Trichomoniasis

The disfigured face of the Passion of Jesus

If the Shroud and the Holy Face of Jesus are the true relics (for me highly likely), then this is the face disfigured by the blood of the passion that comes from their overlap. Please note to all those who for the first time in this blog are linked and that therefore have not yet read the previous posts, that the Holy Face is not only complete the look of the face of the shroud, but also brings with it the signs of resurrection particularly highlighted when the image is illuminated on the front with a dark background behind it.

The development was carried out by Antonio Theseus, an expert in 3D graphics.

In the picture we see just below the scroll of the letter preserved in the library of the New Year and of the Etruscan town of Cortona.

Silvestro, called in Latin "magister Silvester de Adria" in 1300 was scriptor of Pope Boniface VIII. On 22 February, Feast of the Chair of St. Peter, wrote this letter to the entire Christian world when he announced the first anniversary of history in Rome. The parchment shows a thumbnail with the Holy Face between the apostles Peter and Paul doubled at the top and the bottom in a mirror, indicating the mirror image of the truth of the Face of Christ incarnate, who could be seen in a mirror just as impressed on the shroud on one side and down ' other (diapositività of the Holy Face).

romeo Here we see a hat that bears the portrayal of the Holy Face: detail of "Triumph of the church militant" (1366-67) by Andrea Bonaiuto , Church of S. Maria Novella, Florence. In the Middle Ages, there being no photography, were then painters to tell with meticulous detail in their works the events of that time

Even Dante and Petrarch were among the pilgrims who traveled to Rome to venerate the Holy Face in the Middle Ages who was also known as Veronica or sudarium Christi. As we witness the two great poets, the purpose of the pilgrims was not so much to see Pope or pray at the tomb of the apostles but to admire how the image of God incarnate in the person of Christ singing XXXI of Paradise, 103/108 verses, in which Dante describes to us the sense of emotion that gripped the pilgrim at the sight of the relic "... the one who perhaps of Croatia Cometh to gaze at our Veronica / that for the ancient fame is never sated / but says in thought, while it is displayed / My Lord Iesu Christ, true God, / or was so done your appearance? " And even Dante (Vita Nova XL 1) "... to see the blessed image, which Iesu Christ gave us for example from his beautiful face ..." Petrarch (Canzoniere , XVI) "... and he comes Rome, following 'the desire / to gaze on the countenance of the man / who still hopes to see up there in heaven. "

The mirror image of the truth of the Holy Face was already the subject of representation in miniature of the Code Skylitzes, dating from the late eleventh century and preserved in the museum of Madrid : in the year 944, the Patriarch of Constantinople has the Holy Mandylion - for me the sheet of the Holy Shroud - The Roman emperor of the East Lecapeno. In the scene representing the artist wanted portray the image that was impressed on the shroud was placed over his head in the tomb of Jesus and which reflects the sovereign. To distinguish the holy shroud - that wraps the emperor - with the shroud, the miniaturist it draws with the fringes on the edges. Although this was originally a cloth towels components of the S. Mandylion but at that time was kept by the Pope in Rome.

With the invention of printing were so many reproductions of Veronica (Holy Face) inserted in the Books of Hours and Missals

In it we see a depiction of the many reproductions of the shroud of Manoppello (top) together with the shroud of Turin (bottom)