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now changes the optical bench

The large-format (optical bench).
Even today, the design of the old cameras of the pioneers of photography is used in so-called optical bench, more modern and sophisticated, but always mounted on a bulky tripod and features a nice black accordion bellows.
This large and bulky device, which test themselves just to carry around, is the prince of studio photography, and especially the so-called still-life (still life), that the resumption of inanimate objects. It is sometimes also used for architectural photography because the optical bench allows you to correct the distortions of perspective.
The negatives are made from so-called sheet film, with sizes from 10x12 to 20x25. Each photo takes longer quite remarkable: it first begins to focus the image, then insert the flat film, then you shoot, and then removing the film. All this must be repeated for each photograph.
The definition of the details that you get is such that significant enlargements, even giant posters without losing image quality in any way. In the 30s, 40s, 50s, the photographer Ansel Adams, using the optical bench, took over the American national parks producing some of the most beautiful landscape images, and Robert Mapplethorpe, always with the optical bench, in the '70s and '80s produced some of the most beautiful pictures of the human body and flowers.

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Technical Review: the characteristics of the objectives

Characteristics of objectives.

1.Angolo visual focal
2.Lunghezza
(for the 35 mm format)
3.Effetto
4.Distanza minimum focusing
5.Profondità field

WIDE ANGLE
Over 45 Less than 50 degrees
mm
see sweeping vistas and makes items smaller
Less than half a meter
Grande.
It 's easy to focus

NORMAL
45 degrees 50 mm

see how the human eye
Half a meter about
Media

TELEPHOTO
Less than 45 degrees
More than 50 mm
see close views and magnifies objects More than half a meter

Small.
It 'difficult to focus

Zoom.
There are some targets whose focal length varies between two extremes. They are called zoom, because of shift changes rapidly when they produce their focal length. Are there any zoom ranging from a slight wide angle to modest telephoto: for example, 28-80. More ranging from low to medium telephoto telephoto lens, for example the 70-210. Let us remember then that the targets can be fixed focus or zoom (variable focus). Do not confuse the terms fixed focus and fixed focus, which have completely different meanings. The first refers to the focal length of a lens, the second to the fact that some very simple construction of compact machines do not have any device to the focus, either manually or automatically.

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A "few" of history 2: Photography as art or vice versa? current situation of the photographic medium and the pictorial

1) Vermeer .... the music lesson, and ....
2) photography of Sugimoto: identical!
3) E 'a picture or a photography? A framework ... photographic realism of the painting!
4) Chuck Close: the virtuoso of the contemporary oil painting
5) Pierre et Gilles: the remodel their pictures with oil paints to make them more "pictorial"

Photography as painting as painting or photography? We begin with the premise that question, which makes us understand what the original question, if photography is art or not has influenced all his runs parallel to the pictorial. We must remember that at the beginning, photography poses and settings with simulated visual what the painting for centuries analyzed. The result is in photography, pictorial movement. The photograph, then detaches from the dictates painting to achieve their independence, and issues in its policy. Then, with the advent of mass media culture is approximates to painting, but in an ambiguous way: on the one hand we have the painting with his courses and arrives in our contemporary appeals to reassess that figurative vein, that is a re-proposition and poetic technique pictures of flavor, in a first phase realist, in a second hyper-realistic. Almost one wanting to replace the photographic medium. Already Degas, proposed by a photographic image: it immediately becomes aware of the importance of photography to painting: a recording of the real support is another mnemonic work of art. It is also important to remember that the Impressionists include the photograph and its "impress" the reality is investigating their own in the same direction. I mentioned this historical parallelism to introduce one important thing: now contemporary photography through a number of artists is once again reinventing the key photographic images of paintings. And the painting? It is becoming hyper realistic. A peaceful exchange of roles? Or born from the primal conflict that has accompanied these two languages?

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a "few" of history because of the photography is as important to

are recordings that show us what were the projected images called "Fantasmagorie" lanternist before the advent of the camera.

photography has become indispensable once the artist had only his hands and his eyes are able to record what he saw. This medium has revolutionized the art. This statement may seem rhetorical, but has not yet been investigated sufficiently. Change by his coming, the course of the trial painted: if before the painter was one who practiced the illusory mimesis, abhorred by Plato, and loved by the Renaissance, when he took over the photo, first presented as a scientific discovery, then investigated as a means of expression, painting is maturing no more true record of reality but wants to seize the moment just as the photograph, record the reality that goes fast, the moment, intensive: Impressionism. If during the Renaissance, when it was a portrait hidden behind a curtain and pulled it right in the middle of a debate, maybe that had become hot, and one is struck by the resemblance with reality of the subject, the photograph of early carries the same amazement. Thanks to photography was born to turn the cinema movement in photography: Lumiere brothers cinema equal ... where the first spectators run screaming in fear that the train had come out from the movie screen. These were seen as pioneers of the magicians, the magicians are able to retrieve images to their liking: ghosts, death, skeletons: witchcraft.

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The photographic story: The story of rats, nutria

Dear Children, here is a small example of a photographic story of a mouse ..... stuffed animals bought at IKEA of Padua has become the unsuspecting star of this photo tell. In the Swedish language to pronounce route mouse, but I preferred the Italian swift ... hooray!!
As you can see is a sequence of five images, and if you look at the shots are not equal! if you make a photographic story you have to "play" with the plans of the image: close-ups, Plans average, Americans long ... and so on. choose light, natural / artificial, contrast, intensity, direction ......
The teaching offer this week is to make a short photo story.
free theme !!!!!
max 10 images

Ps Do you realize that when you go to see a show is like a great photo story of the author? The images tell a story, sometimes it only takes one sometimes need more pictures!! The photo story so it can also be a path.
good job katia


History rat ...
1) Ratta decides that he is hungry and ambushes in the kitchen pantry ... starts Sravana Aihm in the pantry but the food is all under the package.
2) comes out so dejected by the belief ......
3 )..... and decided to opt for the basket of fruit on the table .... but even there, things on display do not meet his demands, he came in cellophane and onions still packed. The oranges are still too fresh and then snubbing .....
4) This time he decided to play it safe: the refrigerator! But careless rat is a rat and the tail is knotted to the handle in an attempt to open the appliance!! miseriaccia!!
5) Read from "rattus" decided to return to the floor, and go to Sravana in the garbage, in its rich delicacies and meeting the tastes of the city mouse. THE END

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didactic proposal: the photographic story


1 2 3

4
5

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a photo of Sarajevo

Butt Groping At Market

study: "travel notes" Sarajevo Paul Baldessarini

June 30, 2005, 9:50 am "coming home"

a little over an hour we travel to Italy, after a brief visit to this country about ten years ago, was tremendously wounded by an internal conflict that has seen Europe and sit by the window in the most shameful and cynical. At this time, the beautiful green setting that is the side of the road presents a serene view of this environment. Departing from Sarajevo in the direction of Zenica, a former major industrial city, the landscape in some ways recalls some glimpses of the Alpine valleys. Our eyes, however, also frequently cross the white and straight stele of cemeteries, and are there to remind the wounds suffered. In this intense five days in the ground in Bosnia, we had only a taste of this country. Pocitelj, Mostar, Sarajevo and a mountain area have attracted a strong interest in us.

then say that Bosnia is especially nice to see and the hospitality of the people was beyond all expectations. So many in fact were the people I met, and each one has given us something of his experience. Our point of reference was Ifran, a painter of Sarajevo that we met in his splendid house Poticelj, with his wife Miriam and her mother, is slowly rebuilding, stone after stone, since the houses had collapsed under the relentless grenades rained from the sky. In that first contact with him on any one thing stands out. In our first sip coffee Bosnian homemade tells us about his family and how the plot is not the ethnicity that has never scratched, but rather has always been a strong point. "This is Bosnia" reminds us, as to make it clear that diversity is a value if handled with common sense.

..... Just before noon, when the heat already starting to bite, near the market, we notice the presence of street vendors, perhaps improvised, sitting on the sidewalk nearby. After a few moments, we see a scene that seems to come from a movie. A young couple comes up and sits next to the other street vendors. Wears a little sloppy: he early thirties, she a few years younger. She leaves only a glimpse of the face and hands, now sits on the ground, as he begins to lay on the sidewalk several items. Everything seems normal, but the look of her ill that befalls us. Those eyes absent, perhaps carried by most distant wounds. It 's a picture with strong colors, what we are witnessing. We are waiting for them, almost petrified in disbelief for a few minutes. The girl furtively drinking from a bottle that keeps hidden under her dress ........ reluctantly we carry away those cruel images; hardly forgotten what your face and eyes in need of sweetness ......

"Burn bibloteca of the South Slavs, Europeans in the Balkans

burn books

Possible routes, maps, memories, the help of others "

- dark-flashes of Giovanni Lindo Ferretti-Gothic Line CD-

adaptation of the text of Paul Baldessarini, a member of the Association Frame of Nago in the province of Trento

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didactic proposal: The photo reportages

The report should be a story!

E 'documentation of facts or events or phenomena or can be identified physically, geographically, historically.

It has only report of a fact or a contemporary event: there must be a desire to document a reality. You must be very attentive to current events, find out, scrutinize, look around and then catch the car f. . The report, a news report, investigation, documentation exactly.

look now at the special photographers: Robert Capa, documenting the landing in Normandy on D-Day. The photographer manages to climb one of the vessels that lead soldiers on the beach photographing in direct landing, but the many rolls of film that makes only a few will develop, because they lost. In our days we have a particular shape: Tiziano Terzani, journalist, writer and also a photographer. E 'corresponding to the eastern parts of the German magazine "Der Spiegel". Died recently has become a sort of "guru" for how he conducted his life and the fact that you have discovered the cancer did not want to heal, leaving life its natural course. He has written many books that I recommend you read dear boys: one in particular: "The end is my beginning" where he tells his son his life long before his death, a spiritual testament in a report reportage.

World Press Photo: Photographer freelance ultimate goal: the annual catalog contains the best shots of the photographers involved in the field of contemporary conflicts and disasters like the tsunami. But not only ... photos from around the world photos strong, decisive, fotgrafie documenting what happens.

I am attaching some photos and a job offer this week:

Create a photographic record to be chosen from the following topics:

a) the reality of family (the story of your family, how it behaves in some recurrence particular)

b) What happens on the Corso Rosmini?

c) From home to school ... impressions faces and events that happen on your way

work and comments please post them on this blog. choose the best possible ... no red eyes to be justified and consistent with the work.

with your prof. kat