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nice video clip with a child who greets the Holy Face

the website You Tube I found a nice video clip about a boy who tries to greet Jesus and wants to play with the hand. Looking at the Holy Face of Manoppello seems as if we were in front of a person alive, human, smiling at little. The video also gives us an opportunity to introduce a better reflection of Chiara Lubich on the relationship of grace that Jesus had with the children.

http://www.atma-o-jibon.org/italiano4/parola_ott03.htm

Word of Life October 2003
http://www.focolare.org/

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"Let the children come to me and do not hinder them, for to such belongs the kingdom of God" (Mk 10, 14).

"Let the children come to me and do not hinder them, for to such belongs the kingdom of God" Jesus always disconcerting to his manner and talk. It differs from the conventional wisdom that saw children insignificant from the social point of view. The apostles do not want them around him in the world of "adult" would only disturb. The chief priests and scribes "seeing the children crying in the temple, 'Hosanna to the son of David', they became indignant and asked him to bring order. But Jesus has an entirely different attitude in front of children: he calls them, cuddle them, extends his hands over them, blesses them, puts them even as a model to his disciples: "who is like theirs is the kingdom of God " In another passage in the Gospel Jesus says if we do not convert and become like children will enter the kingdom of heaven. For the kingdom of God belongs to those who looks like a child? Confident because the child is abandoned to his father and mother, believes in their love. When you feel safe in their hands, not afraid of anything. Even when around him feel that there is a danger, it is enough to shake even stronger now that mom or dad to feel protected. Sometimes the father seems to place it in difficult positions, to make an exciting jump, for example. Even then, the child throws confident. is how Jesus wants the disciples of the kingdom of heaven. The Christian authentic, like the child, believes in God's love, she throws herself into the arms of our Heavenly Father, places unlimited confidence in him, nothing makes him more frightening because you do not feel alone. Even in the trials believed the love of God, believes that everything that happens is for his own good. He has a concern? Confides to the Father and the child's trust is confident that he will solve everything. As a child is abandoned entirely to him, without making calculations. "for to such belongs the kingdom of God" Children depend wholly by their parents for food, clothing, housing, health, education ... We, too, "Children's Gospel," we depend on everything from the Father feeds us how to feed the birds in the sky, as we dress like the lilies of the field, knows what we need even before you ask him, and there gives it. The same kingdom of God will not be conquered, it accepts the gift from the hand of the Father. Still, the child is not evil because I do not know. The disciple of the Gospel, in love, unaware of the evil, remains pure and innocent again becomes. The child, because he has experience, he goes towards life with confidence, how always to new adventure. The "baby Gospel" puts it all in God's mercy, and forget the past, each day begins a new life, available to the promptings of the Spirit, always creative. The child can not learn to speak for itself, it needs someone to teach him. The disciple of Jesus does not follow his reasoning, but all learn from the Word of God to speak and live the Gospel. The child is led to imitate his father. If you ask him what he'll do very often say to his father's trade. Indeed, the "evangelical child" imitates the heavenly Father, who is love, and love as he loves, loves everyone, because the Father does the sun rise on the evil and the good, and sends rain on the just and on the unjust "because he loves first loved us when we were yet sinners, free love, without interest, because so does our Heavenly Father ... That's why Jesus loves being surrounded by children and points to them as a model: "Let the children come to me and do not hinder them, for to such belongs the kingdom of God " In fact, the children continue to surprise us. "Yesterday, my father asked me to go into the cellar to get something - Betty writes to me, a girl of six years in Milan. - On the stairs was dark and I was scared. Then I prayed to Jesus and I felt he was close to me. " Irene Ilaria, Laura, three sisters of Florence, to be with her mother to go shopping by car. They pass my grandfather's house and ask to go to greet him. "You go - my mother says - I'll wait." When they return to ask: "Why do not you come?". She said, "My grandfather did not behave well with me, so understand ...". And Ilaria: "But Mom, we love everyone, even our enemies ...". The mother does not know what to say. He looks and smiles, "You are right. Wait here." And salt alone by his grandfather. We can learn from children how to accept the kingdom of God Chiara Lubich

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Many years have passed since this blog has seen the light. Many matters have changed. But photography is always there. Will turn this blog, probably will be incorporated into my site design. THE PHOTOGRAPH IS AND NOT THE DICE. This is some new poetry. I fell the urge to explain to starla foo ball. Will reach new photographic cycles.

A blog is for me to gather, if I can get my iconographic references.

a picture for me is a space-delimited "fill" or "empty" to say something. The photograph east a means but not the only means by which I try to express myself. Communicate, see. De Chirico said, "I I have to see, "looks like a medieval torture. Anyone who sees it can not do without. images at the corner of my eye: they are the ones that haunt me, what I want to capture. The beauty of the faces. the beauty of a sliver of light on a stone, the light through the leaves. I love that light that slowly rises from DARK AT DAWN, by the sea, or 2000 meters on top of a mountain.

I started very early photograph, but not much snap, snap you need, I need to fill the world with more pictures. I just take just enough, but well thought out, well thought out. URGES DIET OF IMAGES. BETTER WITH LESS THAN 'QUALITY'.

for today I pontificate, now greet

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Getting ready for delivery to the pope's symbolic key of the City of Manoppello

To read news click on the link below

http://ilcentro.gelocal.it/pescara/cronaca/2010/10/12/news/pronta-la-chiave-per -the-pope-2512503

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The disfigured face of the Passion of Jesus

If the Shroud and the Holy Face of Jesus are the true relics (for me highly likely), then this is the face disfigured by the blood of the passion that comes from their overlap. Please note to all those who for the first time in this blog are linked and that therefore have not yet read the previous posts, that the Holy Face is not only complete the look of the face of the shroud, but also brings with it the signs of resurrection particularly highlighted when the image is illuminated on the front with a dark background behind it.

The development was carried out by Antonio Theseus, an expert in 3D graphics.

In the picture we see just below the scroll of the letter preserved in the library of the New Year and of the Etruscan town of Cortona.

Silvestro, called in Latin "magister Silvester de Adria" in 1300 was scriptor of Pope Boniface VIII. On 22 February, Feast of the Chair of St. Peter, wrote this letter to the entire Christian world when he announced the first anniversary of history in Rome. The parchment shows a thumbnail with the Holy Face between the apostles Peter and Paul doubled at the top and the bottom in a mirror, indicating the mirror image of the truth of the Face of Christ incarnate, who could be seen in a mirror just as impressed on the shroud on one side and down ' other (diapositività of the Holy Face).

romeo Here we see a hat that bears the portrayal of the Holy Face: detail of "Triumph of the church militant" (1366-67) by Andrea Bonaiuto , Church of S. Maria Novella, Florence. In the Middle Ages, there being no photography, were then painters to tell with meticulous detail in their works the events of that time

Even Dante and Petrarch were among the pilgrims who traveled to Rome to venerate the Holy Face in the Middle Ages who was also known as Veronica or sudarium Christi. As we witness the two great poets, the purpose of the pilgrims was not so much to see Pope or pray at the tomb of the apostles but to admire how the image of God incarnate in the person of Christ singing XXXI of Paradise, 103/108 verses, in which Dante describes to us the sense of emotion that gripped the pilgrim at the sight of the relic "... the one who perhaps of Croatia Cometh to gaze at our Veronica / that for the ancient fame is never sated / but says in thought, while it is displayed / My Lord Iesu Christ, true God, / or was so done your appearance? " And even Dante (Vita Nova XL 1) "... to see the blessed image, which Iesu Christ gave us for example from his beautiful face ..." Petrarch (Canzoniere , XVI) "... and he comes Rome, following 'the desire / to gaze on the countenance of the man / who still hopes to see up there in heaven. "

The mirror image of the truth of the Holy Face was already the subject of representation in miniature of the Code Skylitzes, dating from the late eleventh century and preserved in the museum of Madrid : in the year 944, the Patriarch of Constantinople has the Holy Mandylion - for me the sheet of the Holy Shroud - The Roman emperor of the East Lecapeno. In the scene representing the artist wanted portray the image that was impressed on the shroud was placed over his head in the tomb of Jesus and which reflects the sovereign. To distinguish the holy shroud - that wraps the emperor - with the shroud, the miniaturist it draws with the fringes on the edges. Although this was originally a cloth towels components of the S. Mandylion but at that time was kept by the Pope in Rome.

With the invention of printing were so many reproductions of Veronica (Holy Face) inserted in the Books of Hours and Missals

In it we see a depiction of the many reproductions of the shroud of Manoppello (top) together with the shroud of Turin (bottom)

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Sunday, October 10, at 19, an extraordinary concert in the Basilica of the Holy Face

http://www.iltempo.it/abruzzo/2010/10/08/1207393-fascino_contrappunto.shtml?refresh_ce

Manoppello Cori Inmaculata Mater chapel of Toledo and S. Lucia in Rome for the Holy Face

The charm of counterpoint

The Basilica of the Holy Face makes an appointment to 19 on Sunday for a special concert in honor of International Polyphonic relic known throughout the world.

to sing the sacred pages of the directory will be the choirs "Inmaculata Mater" in Toledo (Spain) and the Choir of the Banner of Saint Lucia, an old church in the historic center of Rome. The English choir, which specializes in Gregorian chant and classic polyphony, is headed by Bishop Juan Ruiz Fuentes. TL will perform songs from Victoria, F. Guerrero, C. Morales. The Choir of Saint Lucia Banner of Rome, directed by Peter Bisignani, who is also the singer of the Sistine Chapel, will perform pieces of the repertoire of GP da Palestrina and processing Polyphonic maintained by the Director. The concert is offered by the two choirs - a pilgrimage to Manoppello - a sign of devotion to the Holy Face. Free admission.

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Contemplation of the Face of Jesus Christ from Psalms

The spirit is the most important component of man because through it can show the Father face to face for eternity. Depends on its purity and soul from the body when these other substances of life become one with the risen Christ (Ps. 43, 3-5; Lk. 4, 18, Jn. 1, 18, Jn. 12, 45). Be one with the Redeemer, it means:

fulfill His will, applying in practice the lessons are written in the Gospel (Ps. 17.15; Sl. 11.7; Sl. 16, 11, Sl. 18, 31);

eat the bread of eternal life ( Jn. 6, 47-51);

drink the blood of life, a sign of the New and Eternal Covenant (John . 6, 53-59).

Only in this context, then, you can contemplate the light of the Face of the Father in the Son (Ps. 24, 4-6; Sl. 25, 1, Sl. 26, 6-7 , Sl. 29, 1-2; Sl. 31, 17-18):

Father, I recognize the blood of the Passion, a sign of the New and Eternal Covenant (Ps. 44, 18).

Father, I acknowledge and heal the wounds healed with scabs of blood Thy Omnipotence (Ps. 21, 6-7; Sl. 34, 6) .

Father, I recognize Your light eyes that look at you (Ps. 36, 10, Sl. 42, 2-3, Jn. 1.9) .

Father, I recognize Your Spirit in the breath of his mouth (Sl. 31, 22; Sl. 33, Sl. 20-22; Sl. 45, 3) .

Father in the Holy Face recognize all of you. Amen! (Ps. 2, 7, Sl. 3, 9 ).

"I have been a few days ago at the Shrine of Manoppello in Abruzzo in central Italy, where he kept a cloth that seems that of Veronica. Certainly it is extraordinary picture, because it is not painted, and seeing the light on all sides, reflecting the exquisite face of the Lord. After the visit, I was asked to leave a thought on the register and I wrote simply: "The Face that contemplate forever." (Cardinal Carlo Maria Martini)