Study carried out by Antonio Theseus
From this comparison, which shows the negative image of the Holy Shroud of Turin (left) and overlapping "reflected" through an increase in contrast to the computer, between the real image of S. Shroud and the Holy Face (Fig. 2) we can account for how the Shroud blood exchange strikingly fibrils on the surface of the threads of flax Turin (the fluid blood underwent a chemical process of oxidation and dehydration) with an image characterized by lights and shadows and thus does not do anything to witness to the truth. E 'then nothing short of depressing having to watch the online publications, from the most important search engines, some graphic reconstructions of the Holy Face of the Shroud that have nothing to do with the Holy Face Manoppello or to overlap between the figures of two faces that are completely distorted than reality but who have the credibility and appreciation of those who are inexperienced in this field.
"Since I understand that those who connect to a site is usually only read the last post while neglecting the others because of laziness or for reasons of time, then returned to say that the face impressed on S. Shroud is simply the image of the shroud of fine linen wrinkled inside of the tomb bore the Holy Face in the flash of the resurrection of Christ (Lk. 17, 24-25, Mk. 10, 33-34). Three days before that event, during the preparation of the body of Jesus taken down from the cross for burial shroud that had covered the clean face of the Lord after the body was wrapped in a blanket soaked in herbs (Shroud). "
How scientifically proved particularly below are some pictures magnified, even the veil of Manoppello contain blood, but it is only the most superficial part of the fibrils of the wires is a verse from the other (remember that the image of the Holy Face and slides). Any type of painting, however, would undeniably imbued with the interior color of the wire by capillary action and we should see more pigments with filler substances (collagen) which together would cover the spaces between the dense plot and the warp: Any micrometers in space corresponds to two or three hairs combined together.
coverage of space by the pigments were made static so that the image changes as opposed to a second hologram brightness and viewing angle.
therefore Despite the lack of paint on the veil in the picture mysteriously changes occur which affect more the appearance of the face. In my opinion this stems from the fact that, in the moment of the resurrection of Jesus, the discharge of ultraviolet rays or laser beams emitted by a flash of light which had illuminated the canvas in both the inside and the outside (in this If the light of the Father came from the input side of the door after you have filtered the sheet) would cause the deterioration of the wire with a singe layer of fibrils and alterations caused by interference of electromagnetic waves due to projections Image in transmitted light below, and reflected on, the Holy Face of the Living, but the warmth of these discharges would also have degrading effects caused to the blood that had mysteriously impressed on the veil as part of the image. In this regard I have seen on the threads of the veil of fine linen magnified by an electron microscope: some micro-traces of blood clots and lumps, particularly at the hair, because a lot of blood came out from the skin of the head of Jesus, because the helmet of thorns, his hair had escaped, a small trail of blood and charred decomposed into iron oxide, and an encrustation of blood still charred and decomposed into calcium carbonate.
From what I have said so far one would have inevitably pronounce that each strand of the Holy Veil of Manoppello inherently refracts the light differently, depending on the lighting and viewing angle, returning to the observer in different colors which have the particularity of transforming the figure of the Holy Face in Effigy passionate, glorious or even invisible (to the light, for example, is the effect of white to completely get rid of the image, while if we had a pictorial on the veil we would see tone artificial substance which would interfere with this color overlay).
Differences in the Holy Face lit in three ways:
The Holy Face was then written by the light of the Holy Spirit.
Explanation of the other figures mentioned below:
During a day of research that took place years ago Manoppello, organized by the issuer of the German television ZDF and which together with a dozen scientists from around the world, the undersigned was invited to participate had to submit a study report, examining the fabric of the Holy Face with an electron microscope, made available by Professor Giulio Fanti, we noted that the height of the front of the Holy Face was a small cut, subtle then to the naked eye, because due to the many folds that the veil in the story received over a crossroads. Well, after that Professor Giulio Fanti took this and other photos also on different parts of the face and we gave her a few days later via email, the thing about this picture house several times I realized that this small cut just above one of my co-worker had photographed years first impressed with a picture of the blood image and that as for the S. Shroud it only become visible over two meters away. Following this, as I discovered then that the case for S. Shroud also the image of the Holy Face the blood has undergone a chemical process of oxidation and dehydration only the most superficial part of the fibrils of the strands.
Explanation of the images we see below, left, high magnification of the front of the Holy Face which shows the little circle cut we talked about (for those 's trained eye, ready to see even the smallest details can observe wounds of the spines of helmet of thorns that was placed over Jesus' head) to right, the small cut in the cloth seen with electron microscopy (the calculations were made by Antonio Theseus. Click on the thumbnails to see larger versions). 
Below left, photos of the Holy Face lit pool with the sun at the center, enlargement of the small cut in the veil seen with the electron microscope, when the monstrance with the Holy Face he was laid in front of us with the holy image that was viewable from left to right (see the arrows that indicate how the interior of each wire is not soaked by capillarity with color paintings) and the third photo shows the magnification of the front of the face to trace a small white line is on the fold "in the middle of the forehead" and that brings with it the imperceptibly small denominations (the calculations were made by Antonio Theseus. Click on the figures for enlarge). 
In conclusion, I take this opportunity to sincerely thank the distinguished Professor Giulio Fanti, professor of Mechanical and Thermic Measurements at the University of Padua, giving me these great photos and other enlarged of the Holy Face, has allowed me to develop many of my research.
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